During a Month in Europe, I made a day-trip from Brussels to Gent.
Gent is a very picturesque city - quite Dutch with it's canals and bicylclists. It was very cold when we were there and not the most comfortable to walk around. We went to the Design Museum first but decided not grab lunch before heading in to the exhibitions. Nothing worse than an empty stomach + trying to take in what a museum has to offer (well ok, there are many many worse things...)
The guy at the desk was odd. He never gave us tickets although we paid, nor a map of the building. And pointed us in the direction of the cloakroom. We then entered into some period-style decorated rooms, a tour of which brought us back to the foyer and the ticket-man. Utterly confused, we wondered if we should cross the hallway and go through a passageway marked with a do-not-enter symbol. Perhaps the "do-not-enter-ness" applied if you hadn't yet bought your ticket...?!
We overheard a French couple being told the way... and on we went...
Much of the museum is housed in the rear building behind the courtyard. A modern insert behind an old facade. Apparently the floor is hydraulic and can be adjusted depending on the items being exhibited - a two-storey boat, I assume! Or a dinosaur...!
The permanent exhibition focusses very much on style - Art Nouveau, Rococco, Art Deco. This is not my own personal strong point. Historic referencing. Nor is it something I am interested in. Style and Period and School. Bah.
There were two temporary exhibitions which we visited: 'Design Works?' - a collection of the designed products by Dirk Wynants and 'Eternal Spring' - Barbara Nanning's glass sculptures.
We think, although it is not listed in the exhibition, and we somehow missed it on our walkabout in the galleries, that there was also an exhibition on Tablewear. Qui sait. As I said, this museum is not the easiest to manoevre about.
The Dirk Wynants exhibition started very bizarrely with an information board telling the story of how much globes meant to this person. No introduction about who the person is. I felt it was a marketing exercise for this designer. A chance to justify his designs and "explain" them. I think I will do a separate blog post about what I liked about his work and the pieces I liked.
Barbara Nanning's objects made me think that there is a distinction between creating or artistry and being a designer. I think "design" must define a separation between thinker and maker. The designer must communicate ideas through drawings or models or verbal instructions and someone else then produces the finished product as closely, hopefully, to the intentions and 'vision' of the designer. I think that is where the magic or the mystery occurs. In laying down the ideas, in describing them, and in their interpretation. There is a process of:
- client describes brief
- designer interprets brief and describes solution
- workmen produce solution
- client lives with the production
That process, I think now, is what fascinates me about "Design".
And not to confuse the issue too much, but always there is another element to the process:
It also fascinates me that the client and their brief, for example "I need to buy a draining board rack", can be influenced by so many factors to do with marketing and shopping experience, and branding, and cost... whereas designers are influenced by creating a piece that is... what? dramatic? useful? etc... and how, in real life, do these needs collide?
To be continued....!!!
Oh - to conclude re the Design Museum in Gent. I saw some Lalique glass. A vase. And am fascinated to see more of his work.
I think Design Museums are tricky. Are they aimed at the general public? At designers? At creating awareness of "design" - etc. I think of the museum in London which Terence Conran was involved with and the wonderful museum in New York.
